Foveon Therapy: SIGMA sd Quattro, 30mm f/1.4 Art Lens, and a question.

Scroll down to content

As has been well documented in this space I adore Foveon sensors. This day the tool of choice is the SIGMA sd Quattro,

SIGMA sd Quattro - Unboxing for blog post

and the impressive SIGMA 30mm f/1.4 Art lens.

SIGMA 30mm f/1.4 Art

Ok. So that covers Foveon, the camera, and the lens mentioned in the post title. So what is the question? I am glad that I imagined that you asked. It is a question that crosses my mind every single time I truck out one of these Foveon cameras.

SIGMA dp2 & sd Quattro - 30mm f/1.4

And that question is this:

Why am I still messing with film cameras?

Sure modern digital cameras offer speed, efficiency, and whatnot while lacking that “something special” I look to film and Foveon for. But film cameras fall into the same general category as Foveon sensor cameras. I even wrote two posts about this comparing Foveon to Instatwitface darlings. Here and here.

And Foveon even shares some of the same froo froo artsy fartsy justifications of film also. Namely:

  • Limited ISO.
    • Color should never pass 800 and B&W can stretch to 1600 in a pinch.
  • Committing.
    • A B&W DNG file shows up B&W in Lightroom and when you choose a crop in RAW there is no going back.
  • Something special.
    • If you get color pics in the Foveon’s sweet spot they are amazing.
    • Monochrome produces some of the best B&W images I have ever seen.

On a recent evening I used monochrome Foveon, which I put in the realm of dedicated monochrome cameras for IQ, right next to a favorite black and white film of mine. Rollei RPX 400 run through a recent favorite SLR.

Result?

Unlike the previous comparisons the sd Quattro absolutely slaughtered film. Sure, some of this may be attributable to some tired Cinestill df96 developer. But it was not even close. So much so that I am not even going to post any of the film pics here. Would have been better served concentrating on using the sd Quattro.

For the record, this brings me joy. But I did remember later on why I still use film. I will get to that. Now to the Foveon pics.

SIGMA sd Quattro - 30mm f/1.4 Art
A pic of the contender. Foveon showing out already.
SIGMA sd Quattro - 30mm f/1.4 Art
Ok. This building’s paint scheme and the light screamed for a color pic so I obliged. Then back to Monochrome.
SIGMA sd Quattro - 30mm f/1.4 Art
A wonderful collection of images. Seemed appropriate to document my visit in monochrome.
SIGMA sd Quattro - 30mm f/1.4 Art
Wonderful artist, Derrick Beasley, that I had the pleasure of meeting, and photographing, earlier this year at another exhibit.
@brobeas Leica M Type 240 - 7Artisans 50mm f/1.1
He kindly took the time to speak to my daughter and myself for a few moments earlier this year.
SIGMA sd Quattro - 30mm f/1.4 Art
SIGMA sd Quattro - 30mm f/1.4 Art
SIGMA sd Quattro - 30mm f/1.4 Art
Started getting distracted admittedly.
SIGMA sd Quattro - 30mm f/1.4 Art
And again.
SIGMA sd Quattro - 30mm f/1.4 Art
SIGMA sd Quattro - 30mm f/1.4 Art

Then I spent a few moments capturing some images after taking in the artwork.

SIGMA sd Quattro - 30mm f/1.4 Art
SIGMA sd Quattro - 30mm f/1.4 Art
SIGMA sd Quattro - 30mm f/1.4 Art
SIGMA sd Quattro - 30mm f/1.4 Art
I really dig this pic.
SIGMA sd Quattro - 30mm f/1.4 Art
SIGMA sd Quattro - 30mm f/1.4 Art

Ok. Then I got home. And this is where I remembered why I like film. Ahem…

I like developing film.

As fun as Foveon is to use and as much as I like the resulting images I thoroughly enjoy developing film… What is that you say? You may be saying that this does not make sense?

Oh. I did not say my reasoning, if you could call it that, would make sense.

But it is what it is. So Foveon and film it has been and Foveon and film it will continue to be.

Another successful Foveon therapy session.

Happy capturing.

-ELW